At 10:00 am on October 3, "Ink Charm and Zisha Art Appreciation Meeting and Cross-Strait Cultural Exchange" was opened in Yixing, Jiangsu Province, Yu Deshui Academy. This event with "ink rhyme and alabaster" as the core bond, bringing together more than a hundred guests from cross-strait culture, art, and business circles to discuss and exchange ideas and feelings, and to continue to write a chapter of compatriots' spiritual bonding in the millennium pottery capital.

At the scene of the event, the academy was mirrored with purple sand, calligraphy and painting, overflowing with cultural flavor and compatriot friendship. Zhou Xueqiang, vice mayor of Yixing City, pointed out in his speech that Yixing, as the
"China's purple sand capital," "the hometown of calligraphy and painting," is an important window for cross-strait cultural exchanges, "culture is a cross-strait 'bridge of connectivity', the only way to art Culture is a 'bridge' across the strait, and only through art and warmth can we trace the cultural lineage and revitalize traditional culture; Shao Yaqun, president of the Municipal People's Association for Friendship with Foreign Countries, emphasized that the cultural genes of the two sides of the Taiwan Strait, which have the same roots and origins, are the solid bond that maintains the friendship.

In the sharing session of painting and calligraphy art, Lin Zhengyi, former president of the National Palace Museum in Taipei, under the title of "Chinese cultural lineage in cultural relics", combined with decades of experience to tell the story of cultural relics in the collection, and Song Dynasty painting and calligraphy to illustrate the pursuit of Chinese art of "both spirit and form, and far-reaching meaning", which triggered deep thoughts on cultural inheritance. Gu Shaopei, the representative inheritor of the national intangible cultural heritage (alabaster technique), shared the inheritance path of alabaster technique of "observing the right and innovating" from the details of "clay selection" and "hand molding", as well as the importance of "keeping the right and innovating". Gu Shaopei, representative inheritor of the intangible cultural heritage (Zisha art), shared the inheritance of Zisha art from the details of "clay selection" and "hand molding", and used "a good pot can withstand fire and time" as a metaphor for cross-strait exchanges, which requires "treating each other with sincerity, and making efforts over a long period of time", which was applauded by the audience.

Another focus of the event was Yu Deshui's new book "Relatives Without Blood". Veteran media personality Zhou Yan analyzed the book's vein: the work takes the author's growth as a clue, records the warm daily life of "relatives without blood", and hides the cultural gene of the Chinese nation's "mutual help", which is an "emotional carrier" that transcends regions; Yu Deshui frankly said that the book is the source of his own concept of "inheriting the past and initiating the new". Yu Deshui confessed that the book is the source of his own concept of "inheriting the past and initiating the new" - "inheriting the past" is to honor traditional culture and spirit, "initiating the new" is to honor traditional culture and spirit, "initiating the new" is to honor traditional culture and spirit, and "initiating the new" is to honor traditional culture and spirit. Yu Deshui, on the other hand, confessed that the book is the source of his own concept of "carrying on the past and starting the new" - "carrying on the past" is to honor the traditional culture and spirit, and "starting the new" is to integrate the emotions and feelings of the times, which coincides with the core of cross-strait cultural exchange.

Activities are also interspersed with the ritual of worship and respect for the master, in accordance with the "first understanding of their reasoning, and then refined their skills" conduct, the outstanding traditional culture will be passed on, the activities of the scene also staged the 82-year-old long-lived old man Li Enhai's non-heritage masterpiece, attracted the guests marveled at the Taiwan guests lamented that "this is the old artists on traditional culture, but also the cross-strait common promotion of craftsmanship". The guests were amazed, and the Taiwanese guests expressed their feelings that "this is the old artist's perseverance in traditional culture, and it is also the craftsmanship promoted by both sides of the Taiwan Strait.

At the end of the event, the guests visited the calligraphy, painting and alabaster exhibition, and stopped to exchange techniques and feelings; representatives of Taiwan's cultural sector said, "From calligraphy, painting and alabaster to folk culture masterpieces, every link shows that cross-strait cultures have the same roots and origins." As the couplet of the academy says, "Ink Charm connects the two sides of the Taiwan Strait, and the cultural lineage is tied up with the same heart", the significance of holding this activity on the occasion of Mid-Autumn Festival, which is the time of the end of the world, is extraordinary, and once again confirms that culture is the strongest spiritual bond connecting the two sides of the Taiwan Strait. Culture is the strongest spiritual bond connecting the two sides of the Taiwan Strait, with art as a bridge and love as a boat, we can jointly protect traditional culture to bloom the glory of the times.