Shi Qiufang, graduated from Tianjin Academy of Fine Arts, member of China Gongbi Painting Association, member of Shandong Artists Association, full-time painter.

     Spring has already been confluence, peony flowers pink petals like butterfly wings slightly open and close, just like a vein of roaming affairs of the heart, wanting to say still rest. The flowers are quietly leaning on the branches of the morning mist, and there is a sweet fragrance floating in the air. A woman with a light dress, leaning on the window, under the cover of the banana after the rain, puts her heart in the peach blossom, and follows the rhyme of the Tang poems and Song lyrics, which have been deeply and shallowly imprinted in the poems, books, and paintings of the sentimental literati of the past dynasties....... This is an artwork that has been traced by countless sentimental literati and painters. This is a picture that has been traced by countless sentimental literati painters, because of that kind of flowers pouring the city's elegance, but also because of a desire to send the heart of the language of the heart of the flowers. However, to this day, the history of luxury rhythms have been dispersed?

     Seeing flowers like seeing beauty, see the painter Shi Qiufang's brushstroke flower and bird works, suddenly, the heart rises out of a kind of long-lost feelings, the famous flower dumping the two sides of the country, when to be like this. It is true that there are years falling in her works. When the peonies in Caozhou were in full bloom, who would still think of the rich sentimentality in the heart after the Drunkenness of the Concubine? When the rain of Wei Cheng moistens the light dust on the apricot blossoms, the cuttings are made with the intention of the east wind, and the lightness seems to be reserved for the makeup of the western son! When the ink in the ink stone was slowly research open, rice paper ink, but once again recalled a thousand years ago the beauty of the flower, the slender stand in the Tang and Song poems in the thousands of models ......

     The impression of female painters should be wearing a plain dress, with one point of honesty, two points of transcendence and seven points of earthly sadness, walking in the ancient streets and lanes, chanting in the spring flowers, autumn and moon, drunk in the original town of dreams. Famous flowers into the painting, the dust of the heart all melt in the seemingly light sweeping eyebrow brush flow, rosy and sentimental, unlimited talent and spring unlimited nostalgia together with sprinkled in the years between the fingers of the gentle.

     Graduated from Tianjin Academy of Fine Arts, she is a national level artist, as a member of China Artistic Brush Painting Association, in Shi Qiufang's works, it seems that there is always a mist on the other side of the river, and there is no way back to the empty sea. Standing upright is her artistic posture, and the personnel hidden in the quiet brushwork flowers and birds have long been repaired by her as ambiguous as the ancient myths. Between glances, thousands of splendor seems to have fallen away, and the mirror dust that cleanses the human heart is silent and joyful.

     The deconstruction of fragmented information in our current society has made our lives so alarming and inescapable, more or less due to the rupture of certain historical emotions. This is a time when the rhythms of poetry, books and paintings have faded. The seemingly pervasive new media era has come and gone, bringing convenience and clamor, but also breeding impatience and emptiness. Along the way constantly confused, is the people's deepest gentle poetry and painting, let people how to carefully guard, and those delicate and exquisite dynasty of feelings, ultimately like a person applied heavy makeup Qingliu woman, gradually vulgar down. Muted fragrance with the rhythm of poetry, painting and calligraphy quietly stretch, eddy fluttering, in the long history of the palace walls, looking forward to that kind of heartfelt compassion and true love.

     In this noisy era, Shi Qiufang's brushwork is just like a beauty flower blossoming out of the rice paper, with a gentle and reserved look like an ancient woman, and the historical and elegant romantic flavor of the Ode to Wind and Elegance blooming softly during the period, so the plain paper becomes ashes and the thought of the past becomes a disaster---.

     Shi Qiufang, as a native of Heze, the cultural expression of the peony hometown is even more purely interpreted in her paintbrush, which is sent from the heart of piety, and elegantly stretches in the brushwork depiction. Her works have been exhibited and awarded many times, and CCTV, Shandong TV and other newspapers and media have made special reports on her. Seeing flowers like seeing beauty, God and heart will be, the heart and gas, line has to line, stop has to stop, never seek to work for the intention, and work at the strange place in the ink and brush outside the gossamer.

     In her brushstroke flower and bird works, the inner charm and extraordinary temperament of flowers are infused with a kind of female aestheticism, and she uses her unique artistic spirituality and visual infectivity to express the beautiful face and graceful posture of flowers in a romantic way, as if they came from the Book of Psalms, which touches one's heart. As the old saying goes, the environment is created by the heart, and the image is born from the heart. Painter in a calm and quiet state of mind, focusing on the "discovery of the moment and the integration of spiritual enlightenment", with a high degree of anthropomorphization of the visual language, in the "thinking and the environment harmony", "God and the object swim" of the creative practice, the pursuit of "the". In the practice of creation, he pursues the supreme realm of "the realm of no self" and "the charm of rhyme", captures the affinity of classical rhythm in the static flowers and shadows, and depicts the most divine gestures in the natural charm of flowers and birds with his brush and ink.

     In the series of works "Imitation of Song Dynasty", she overflows the rich humanistic atmosphere into the exquisite depiction of the paintbrush, with a kind of unearthly charm. Through the poetic expression of the object of observation, the artist integrates the perception of history into artistic creation, expressing the life insight of "sending mayfly to the sky and earth, and one of the smallest drop in the ocean", expressing a unique artistic tension and ultimate humanistic concern. The artist expresses the insight of life of "sending a mayfly to heaven and earth, or a grain of corn in the ocean", and expresses a unique artistic tension and ultimate humanistic concern. In her works, whether it is a group of flowers competing with each other, the spring is full of color, or a single branch of the close-up of the beautiful and leisurely, are dense with artistic infectivity, overflowing with the spirit of poetry and painting, flowing with the charisma of the flowers, vivid and evocative, just like the beauty of the knitted brows of the smile, all make people's hearts shake, the sentiment glittering.

     In her lotus imagery, such as "Xiangfei bathing" figure, she focuses on the expression of cleaned natural freshness, simplicity and elegance, to maintain "clear water out of the hibiscus, naturally unadorned," the natural nature, or through the clever composition, so that the imagery behind the flowers seem to be covered in a hazy mist, the colors are appropriate, the artist through the deliberate Western painting The artist through the deliberate western painting and color grasp, restore its natural flavor, the pursuit of vivid, airy and distant aesthetic mood, the wonderful fun of heavenly, people have a leisurely thoughts, the sense of flying, the idea of Tao feelings and sex.

     Thousands of years ago, the classical beauty of the breath like orchids, that kind of gravity and elegance, in Shi Qiufang's paintbrush, are transformed into those who let people sing three sighs of the works, people need to have enough time and mind space to carry. In this era of emptiness and impatience, the real ancient and elegant rhythms, after the bleak winds and bitter rain of the times, in the quiet moments of the human heart, only in the heart of the sky will be hanging high, only to bring people a little bit of comfort. In her work "The Sound of Buddha", the lotus flower, which can only be viewed from afar, makes one's heart ache while being mesmerized at the same time.

     Thousands of years ago, the classical beauty of the breath like orchids, that kind of gravity and elegance, in Shi Qiufang's paintbrush, are transformed into those who let people sing three sighs of the works, people need to have enough time and mind space to carry. In this era of emptiness and impatience, the real ancient and elegant rhythms, after the bleak winds and bitter rain of the times, in the quiet moments of the human heart, only in the heart of the sky will be hanging high, only to bring people a little bit of comfort. In her work "The Sound of Buddha", the lotus flower, which can only be viewed from afar, makes one's heart ache while being mesmerized at the same time.